Lee Eunkyung (b. 1993) received her B.F.A. and M.F.A. in Korean painting from Seoul National University. Her practice summons and rewrites the experience of bulhwa — the friction and conflict that arises between the self and the world. The figures in her work are those pushed to the margins, advancing bare and voiceless, releasing feelings of injustice and shame. Working on hanji with a spontaneous, doodle-like drawing method and no preliminary sketching, she pours emotion without self-censorship, then refines these drawings into paintings that invite viewers to share in the sensations of the displaced. She held her debut solo exhibition OCI Young Creatives: Chronicle of the Faucet (OCI Museum of Art, Seoul, 2026). She has participated in group exhibitions including Four Vignettes (Lani Seoul, Seoul, 2026), DTC Young Artist Project (DTC Art Center, Daejeon, 2025), Jeonnam International Sumuk Biennale: Nocturne — A Song for the Sleepless (Mokpo, 2025), Head Shoulders Knees and Toes (Woosouk Gallery, Seoul, 2025), and Unsolved Cases (Woosouk Gallery, Seoul, 2024).